April 24: Summit Kickoff | April 25: Summit Day 01 | April 26: Summit Day 02
With the generous support of The Knight Foundation and Columbia University, and in partnership with the New Museum and NEW INC, over two full days, we will address gaps and challenges at the intersection of artistic and critical inquiry, and artificial intelligence.
The program will mine diverse perspectives in the ongoing discourse between citizen-users and the technology-making industry.
Summit Kickoff Event
Wednesday, April 24th, 6:30pm-9:00pm, New Museum
As we increasingly use machines to tell our own stories, to what extent can we reclaim our agency in designing the stories that machines write and archive about us?
Artificial Intelligence promises drastic changes in every corner of our world. The art world is no different. There’s a massive gap between high-level conversations about the potential to merge art and technology, and what’s actually happening on the ground. Major challenges abound on all sides. Artists often feel alienated by emerging technologies. Technologists are advancing the field without sufficient critical and social engagement. Institutional stakeholders are resistant to the realities of imminent AI related paradigm shifts.
Please join us for the opening presentation of An[0]ther {AI} in Art, founded by Amir Baradaran, with the generous support of The Knight Foundation and Columbia University, and in partnership with the New Museum and NEW INC.
Through this program, we will set a framework for understanding AI in its current & speculative relationship to art, narrative, and the human imagination.
Select panelists and presenters:
Amir Baradaran, Artist, Founder, An[0]ther {AI} in Art, Columbia University
Anne del Castillo, Commissioner for the Mayor’s Office of Media and Entertainment
Zia Khan, Vice-President Innovation, the Rockefeller Foundation
Kamal Sinclair, Director, Future of Culture Initiative and New Frontier Labs, Sundance Institute
George Zarkadakis, AI engineer, novelist, entrepreneur, and author of In Our Own Image: the history and future of Artificial Intelligence
Refreshments will be served. This opening reception is open to the public, please register on our Eventbrite.
Summit Day 01: Thursday, April 25th
8:30–9:15am: Breakfast
9:15-9:30: Opening remarks
Alberto Ibargüen, President and CEO, Knight Foundation
Lisa Phillips, Director, The New Museum
9:30–10:00am: Presentation—Debunking Myths Around AI
George Zarkadakis, AI engineer, novelist, entrepreneur, and author of In Our Own Image: the history and future of Artificial Intelligence
Cathy O’Neil, mathematician, author of Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy
10:00–11:15am: World Cafe
The World Cafe is a collaborative conversation in three rounds. Its purpose is to unpack issues around AI that touch on all the other areas we’ll be exploring - things like conflicting definitions and problems around bias/lack of representation. Each round is 20 minutes long, and will take place in rotating fashion, with participants moving tables three times total. At the end of the activity, we’ll share and synthesize our results.
11:15–11:25am: Break
11:25–12:15pm: Presentation and discussion—Shifting paradigms in the art world
Amir Baradaran (Department of Computer Science, Columbia University)
Discussion Questions
What’s missing from this framework?
From your point of view, does this framework accurately address the landscape?
Are there additional implications that we have not accounted for?
12:15–12:20pm: Keynote Remarks
Anne del Castillo, Commissioner for the Mayor’s Office of Media and Entertainment
12:20–1:15pm: Lightning talks and discussion—Emerging concepts in aesthetics: Decolonizing the artistic imagination
William Uricchio, OpenDoc Lab, MIT
Marina Hassapopoulou, Moving Image Archiving & Preservation, NYU
Toshie Takahashi, School of Culture, Media and Society, Waseda University, Tokyo
Brooke Belisle, Digital Art Culture and Technology, Stony Brook University
Design Questions
What is the current state of aesthetics around artificial intelligence? Do they exist?
Have dominant media forms colonized our imaginations?
Are they determining how we approach new media forms?
How does artificially intelligent art differ from existing media forms in terms of:
Implications of generative/mutable aesthetics
Value of the work over time
The raison d’être of the work itself
How might the emergence of AI as a dominant social and technological force impact other media forms?
1:15–2:00pm: Lunch
2:00–3:30pm: Lightning talks and discussion—The implications of intelligent authorship: AI as artist and AI as tool
Alexander Fefegha, Comuzi
Ross Goodwin, Arts + Machine Intelligence, Google AI
Victoria Vesna, Art Science Center, UCLA
Angela Nichols, Botnik
Salome Asega, Creativity and Free Expression, Ford Foundation
Ori Inbar, Augmented World Expo
Design Questions
What is the current state of “making” with artificial intelligence and related technologies?
What does it mean to “make” with AI?
How far is AI interceding in authorship presently, and how far might it intercede in authorship in the future?
What are the implications for artists and technologists around the ability for AI to create on its own?
How do you envisage futures where we use AI as a tool of making?
3:30–3:45pm: Break
3:45–5:15pm: Lightning talks and discussion—Modalities of Display and Audience Engagement
Oonagh Murphy, Goldsmiths
Yucef Merhi, The Wolfsonian
Daniel Morena, Founder, 32bits
Mitchell Davis, Chief Strategy Officer, James Beard Foundation
Steve Feiner, Professor, Dept. of Computer Science, Columbia University
Design Questions
What is the present state of display and audience engagement as it relates to artificially intelligent artwork?
What does it mean to engage audiences as our bodies and senses are increasingly mediated by machines?
How might audiences experience new forms of art?
What might they [audiences] need to do?
How might we teach them to do those things?
5:15–6:15pm: Share, discussion, and closing check out
7:00–9:00pm: Evening Event: Private viewing of pop up installation Forging the Gods: exploring alternative myth-making in artificial intelligence, curated by Julia Kaganskiy
Forging the Gods: Exploring Alternative Myth-Making in Artificial Intelligence
TRANSFER #ONCANAL (423 Broadway)
Summit Participants, Partners, and Guests
Drinks and hors d’oeuvres served
Summit Day 02: Friday, April 26th
8:30–9:10am: Breakfast and opening remarks
Mary C. Boyce, Dean of The Fu Foundation School of Engineering and Applied Science and Morris A. and Alma Schapiro Professor, Columbia University (TBC)
9:10–10:45am: Lightning Talks and discussion—Innovative approaches and pedagogies: How might we educate the next generation?
Stephanie Dinkins, Digital Art, Stonybrook
Sarah Wolozin, Director, MIT OpenDoc Lab
John Greyson, Arts, Media, Performance and Design, York University
Sandra Rodriguez, MIT OpenDoc Lab
Amir Baradaran, School of Engineering, Columbia University
Newman, metaLAB, Harvard University
Justin Hendrix, Executive Director, NYC Media Lab/RLab
Design Questions
What is the current state of education for technologists and non-technologists around emerging technologies?
What is the current state of education in relation to rising needs around AI?
What kinds of skills might artists and technologists need to have, as AI continues to augment and transform the process of authorship and creation?
How might we design innovative approaches and pedagogies that consider new forms of making and consumption?
10:45–11:00am: Break
11:00am–12:35pm: Lightning talks—Approaches to development: Funding and commissioning futures
Caspar Sonnen, IDFA DocLab
Gideon Mann, Data Science, Bloomberg
Jose Carlos Diaz, Chief Curator, Warhol Museum
Eva Kozanecka, Arts + Machine Intelligence, Google AI
Karen Wong, Deputy Director, New Museum
Stephanie Pereira, NEW INC
Design Questions
What is the present state of financing the development of art that integrates AI/AR?
What do we want the future of funding and commissioning to look like?
How might we ensure that, as art increasingly requires high level technological integration, the industry develops a financial structure that is non-exclusionary?
12:45–1:30pm: Lunch
1:30–3:00pm: Speculative workshop—Proposing radical futures
In this small group exercise, participants will work together to envision speculative scenarios that address one or more of the many topics we will have addressed throughout the course of the summit. We will offer guiding design questions as provocations. Participants are encouraged to extend their explorations as far as they wish.
What might the process of art-making look like in the future and how will it impact the development of aesthetics around artificial intelligence and other existing media forms?
How might we design an education system that will give rising artists, makers, and technologists the tools necessary to build the future we want to see?
What kinds of spaces might we build to display the artwork of the future?
How might we design spaces that are conducive to audience participation, engagement, and co-creation?
How might these spaces accommodate the augmented body?
How might we create funding structures that will support:
Development of new artistic and technological forms
Display of that work for a wide variety of audiences
In the scenarios, participants should consider the following:
Capacity to dismantle systems defined by access and privilege
Usage of intersectional and non-exclusionary approaches
Scenarios that support individuals as well as institutions
3:00–3:15pm: Break
3:15–3:45pm: Workshop—Generating wish lists
3:45–5:30: Share and synthesize
5:30–6:30pm Discussion, and closing remarks
7:00–9:00pm: Evening Event
CENTRE FOR SOCIAL INNOVATION (601 W 26th Street, #325)
Summit Participants, Partners, and Guests
Drinks and hors d’oeuvres served